Måleriet identifieringen:: 8777
Resanden av Lazarus c. 1630 Olja på panel. 96.2 x 81.5 cm Los Angeles Grevskap Museum av Konst. Los Angeles Born 1606, Died 1669
Måleriet identifieringen:: 11733
Resanden av Lazarus 1896( Salon av 1897) 3~ 1 1/2~~ x 3~ 11 3/4~~( 95 x 121.5 cm ) African-American Realist Painter, 1859-1937
Måleriet identifieringen:: 34417
Den Resanden av Lazarus mk93 c.1630-31 Olja på panel 38x32in Grevskap Museum av Konst Los Angeles Born 1606, Died 1669
Måleriet identifieringen:: 34418
Den Resanden av Lazarus mk93 1631 Olja på segelduk 40 1/2x44in Klar Museum och Konst Galleri England Born 1606, Died 1669
Måleriet identifieringen:: 34580
Den Resanden av Lazarus mk93 c.1630/31 Olja på panel 96.2x81.5cm Los Angeles.County Museum av Konst Born 1606, Died 1669
Albert van Ouwater (c. 1410/1415-1475) was one of the earliest artists of Early Netherlandish painting working in the Northern Netherlands, as opposed to Flanders in the South of the region.
[edit] BiographyHe was probably born in Oudewater, and is mentioned by Karel van Mander (1604) as a reputable painter at the time in which he lived.[1] According to Karel van Mander he was possibly a contemporary of Jan van Eyck and had been the teacher of Geertgen tot Sint Jans, though he was quick to qualify this statement with the eye-witness account of an old man named Albert Simonsz who had been a pupil of Jan Mostaert and claimed neither he nor Mostaert had ever even heard of this Albert van Ouwater or Geertgen tot Sint Jans.[1] Van Mander highly commends an altarpiece by Van Ouwater in the principal church in Haarlem, the Grotekerk or Sint-Bavokerk, representing St. Peter and St. Paul, in which the figures are carefully and correctly designed, and richly coloured.[1] Van Mander posits Van Ouwater as the founder of the Haarlem school of painting, making him the first major Dutch (as opposed to Flemish) artist. According to Van Mander, landscape painting was a particular specialty of this Dutch school, although none of Van Ouwater's surviving works exhibit this tendency. Van Ouwater seems to have been a contemporary of Dirk Bouts in mid-15th-century Haarlem, and Geertgen tot Sint Jans may have been his pupil.
Måleriet identifieringen:: 87262
The Raising of Lazarus 1455(1455)
Medium Oil on wood
cyf Albert van Ouwater (c. 1410/1415-1475) was one of the earliest artists of Early Netherlandish painting working in the Northern Netherlands, as opposed to Flanders in the South of the region.
[edit] BiographyHe was probably born in Oudewater, and is mentioned by Karel van Mander (1604) as a reputable painter at the time in which he lived.[1] According to Karel van Mander he was possibly a contemporary of Jan van Eyck and had been the teacher of Geertgen tot Sint Jans, though he was quick to qualify this statement with the eye-witness account of an old man named Albert Simonsz who had been a pupil of Jan Mostaert and claimed neither he nor Mostaert had ever even heard of this Albert van Ouwater or Geertgen tot Sint Jans.[1] Van Mander highly commends an altarpiece by Van Ouwater in the principal church in Haarlem, the Grotekerk or Sint-Bavokerk, representing St. Peter and St. Paul, in which the figures are carefully and correctly designed, and richly coloured.[1] Van Mander posits Van Ouwater as the founder of the Haarlem school of painting, making him the first major Dutch (as opposed to Flemish) artist. According to Van Mander, landscape painting was a particular specialty of this Dutch school, although none of Van Ouwater's surviving works exhibit this tendency. Van Ouwater seems to have been a contemporary of Dirk Bouts in mid-15th-century Haarlem, and Geertgen tot Sint Jans may have been his pupil.
Måleriet identifieringen:: 87263
The Raising of Lazarus 1480(1480)
Medium Oil and tempera on panel
cyf Netherlandish Northern Renaissance Painter, ca.1460-1490
(1884 - 1918) was a Czech painter and art critic, one of the founders of Czech modern painting. He studied at the School of Applied Arts in Prague, but left in 1906 to study at the Reale Istituto di Belle Arti in Florence. He, Emil Filla, Antonin Prochezka, and five others founded Osma (The Eight), an Expressionist-oriented group of artists.
Kubišta came to his individual expression gradually, at first he was influenced by the work of Vincent van Gogh and Paul Cezanne. He educated himself in in philosophy and optics, and studied colour and the geometrical construction of painting.
Kubišta, like several other Czech artists of his generation, was strongly affected by the 1905 Edvard Munch exhibition in Prague. Together with Emil Filla he established the artistic group Osma in 1907. He worked in an Expressionist style until 1910, and exchanged ideas with German painters in Die Bre - ke. He also developed visual ideas learned from the work of Cezanne. His later style (approximately from 1911) was strongly influenced by cubism and expressionism. Expressionist elements, particularly his use of color but also his subject matter, immediately distinguish Kubištaes cubist work from that of founding Paris Cubists Picasso and Braque. He studied color theory, analyzing the harmonic and compositional principles of painters such as El Greco, Eugene Delacroix, Vincent van Gogh, and Edvard Munch. He also paid close attention to mathematical and geometric principles. Around 1911, he became acquainted with Jan Zrzavý and the artistic group Sursum.
He died prematurely during the global 1918 flu pandemic which ravaged Europe after the First World War.
Måleriet identifieringen:: 90908
The Raising of Lazarus Oil, canvas
Dimensions 163,5 x 126,5 cm
cyf (1884 - 1918) was a Czech painter and art critic, one of the founders of Czech modern painting. He studied at the School of Applied Arts in Prague, but left in 1906 to study at the Reale Istituto di Belle Arti in Florence. He, Emil Filla, Antonin Prochezka, and five others founded Osma (The Eight), an Expressionist-oriented group of artists.
Kubišta came to his individual expression gradually, at first he was influenced by the work of Vincent van Gogh and Paul Cezanne. He educated himself in in philosophy and optics, and studied colour and the geometrical construction of painting.
Kubišta, like several other Czech artists of his generation, was strongly affected by the 1905 Edvard Munch exhibition in Prague. Together with Emil Filla he established the artistic group Osma in 1907. He worked in an Expressionist style until 1910, and exchanged ideas with German painters in Die Bre - ke. He also developed visual ideas learned from the work of Cezanne. His later style (approximately from 1911) was strongly influenced by cubism and expressionism. Expressionist elements, particularly his use of color but also his subject matter, immediately distinguish Kubištaes cubist work from that of founding Paris Cubists Picasso and Braque. He studied color theory, analyzing the harmonic and compositional principles of painters such as El Greco, Eugene Delacroix, Vincent van Gogh, and Edvard Munch. He also paid close attention to mathematical and geometric principles. Around 1911, he became acquainted with Jan Zrzavý and the artistic group Sursum.
He died prematurely during the global 1918 flu pandemic which ravaged Europe after the First World War.
Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft
Måleriet identifieringen:: 97107
The Raising of Lazarus circa 1645(1645)
Medium oil on canvas
Dimensions 210.5 X 140 cm (82.9 X 55.1 in)
cyf Dutch painter (b. 1622, Middenbeemster, d. 1654, Delft
